I struck a blow. The hammer hit the iron with a soft thud. It barely left a mark.
“Again. Put your back to it.”
I hit harder. Better hit. The iron bent slightly.
“Good. Again.”
I hammered repeatedly. My arms burned. My shoulders ached. Sweat poured down my face. But I was doing physical labor, shaping the metal with my own hands. When the iron cooled, Josiah lifted the slightly bent piece.
“Your first project. It's not much, but you did it.” He put down the iron. “You're stronger than you think. You've always been strong. You just needed the right business.”
From that day on, I spent hours at the forge. Josiah taught me the basics: how to heat metal, how to hammer it, how to shape it. I wasn't strong enough for heavy work, but I could make small objects: hooks, simple tools, decorative pieces.
For the first time in 14 years, since the accident, I felt physically capable of doing something. My legs didn't work, but my arms and hands did. And in the forge, that was enough.
But something else was happening, too. Something I couldn't control.
June brought a different revelation. One evening we were in the library. Josiah was reading Keats aloud. His reading had improved to the point of understanding complex texts. His voice was perfect for poetry. Deep, resonant, capable of giving weight to every line.
"A thing of beauty is an eternal joy," he read. "Its beauty increases. It will never fade into nothingness."
“Do you really believe that?” I asked. “That beauty is eternal.”
“I believe that beauty in memory is eternal. The object itself may fade, but the memory of beauty remains.”
What's the most beautiful thing you've ever seen?
She was silent for a moment. Then: "Yesterday at the forge, covered in soot, sweating, laughing as you hammered that nail. It was beautiful."
My heart skipped a beat. "Josiah, I'm sorry. I shouldn't have..."
